To presume I can impart the Inca history of tapestry weaving in a blog post is of course absurd. I won’t pretend I can even chip away at the surface, but I will try to extract the salient points to give you a sense of what tapestry meant to this huge and ancient culture.
I call it weaving-lite. It’s what I do when I want to weave but don’t really want to think. My go-to material is hand-painted silk because of its no-fail qualities. If you want to just play with fiber on your Mirrix, use great materials and you probably will create something that is pleasing if not out-right amazing. And it will get you through the moments when your creativity light is not shining at its brightest. After all, creating art is really 95% doing it and 5% true creativity. Often we are repeating something we’ve already done with slight alterations. These baby steps keep us moving toward the rare but wonderful huge insights. And if you are like me, you can’t help but make things constantly.
Let me begin with the beginning which wasn’t weaving, but was actually turning an already woven silk strip into a wearable item. I was inspired by the below findings that I had just received in the mail. I thought they would be perfect for making a silk bracelet, and I was right.
By Mirrix President Claudia A. Chase
What is your favorite color? I don’t have one. When I was a child the answer would have been a combination of pink and red. I was told early on though that pink and red do NOT go together. Since pink is born of red, I always found that notion rather silly. I still do. What I should have been told was: fire engine red does not go well with pale pink but there are other reds that do! So I painted my room green and blue. Green trim, blue walls. The green was soft like leaves before they fall in autumn. The blue was like a deep sky just after a rain. I could live with it.
I live with favorite color combinations which have a tendency to grow and mutate over time. But the themes do not change. They are my personal themes. I believe everyone who works in color has within them certain color themes. It takes a lot of looking back into our heads to find out just what they are. I do have favorite bead colors (which is a combination of finishes and colors, since beads do not any longer exist in the realm of just opaque color) that I rely on as the base of most of my work. You can tell which bead colors I love the most by the fact that they live in 100 gram packs. The accent beads live in bead tubes. By buying large quantities of the beads I love most I allow myself to freely use them. Since I have a tendency to not want to use up what I love most, this trick is imperative for me to freely create.
The worse decision to make when trying to pick what color bead to use in a piece is the one based on: gee I’ve got a lot of these beads I really should use. I don’t think I’ve ever successfully produced a piece on that decision and I can tell you about a whole lot of pieces I’ve cut up and returned to the bead box after having done so.